I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable… good. Come look anyway.
Tag Archives: Nature
FAce-lIft Gaza: Yahya Sobeih
I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable… good. Come look anyway.
FAce-lIft Gaza: Maisara Baroud
I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable… good. Come look anyway.
The Journalists are Saying Goodbye.
Halfway around the world, the journalists are saying goodbye — not with press releases, but with poetry, final voice notes, and aching goodbyes to a world that barely listened. This piece holds the names and words of those still documenting genocide with nothing but a camera and a heartbeat. It is not a tribute. It is a witness.
FAce-lIft Gaza: Yaqeen Hammad
I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable… good. Come look anyway.
FAce-lIft Gaza: Hassan Majdi Abu Warda
I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable… good. Come look anyway.
FAce-lIft Gaza: Motaz Azaiza
I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable… good. Come look anyway.
FAce-lIft Continuation XXV: Ewa Juszkiewicz
I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable… good. Come look anyway.
Woman in Two Parts
A poem in two voices, two bodies, and one shared inheritance.
Woman in Two Parts explores identity beyond binaries—through violence, transition, reclamation, and radical self-love.
Where one part breaks, the other rebuilds.
Where one erases, the other remembers.
Together, they ask: what remains of “woman” when the world tries to define her for you?
FAce-lIft Continuation XXIV: Lino Arruda
I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable… good. Come look anyway.
