Dispatches from the Void. X.II

This Week in Underland:

  • Bureaucrats, Bed-Hogs, and Broken Laptops:
    We’re being price-gouged by pet transporters, robbed by Amazon, and held hostage by logistics. But the cats are cuddly, the rain is moody, and Salt in the Wound is nearly here.
  • Rabies, Refunds, and Rage-Naps:
    Capitalism is failing. Mowgli is thriving. River is performing. Palestine is still burning. Bureaucracy is still bullshit. But we’re still standing. Barely
  • Salt, Syllables, and Screaming into the Void:
    Our new anthology Salt in the Wound drops June 19th—the same night River takes the mic at Queer Vocal Voices. Expect justice. Expect resistance. Expect tears at 2:30am BST.

As usual, it’s been a strange week in Underland. We’re slowly dismantling our flat, which has been deeply satisfying for us, and absolutely terrifying for the paws. They’re very suspicious of anything changing. That said, it’s led to some top-tier cuteness: Mowgli has taken to sleeping on Celia’s pillow every night, one paw draped protectively over my shoulder. We’ve realised we both sleep better when all three of them are snuggled in bed with us.

We also have an anthology coming out soon, Salt in the Wound. If you’re a writer whose work centres on justice in any form, we’d love for you to consider submitting. The anthology will be released on the same day I am the featured spoken word artist at the Queer Vocal Voices open mic night—19th of June 7pm CST (which means I will be performing around 2:30am BST… should be fascinating). I’m both incredibly excited and incredibly nervous.

We’ve been doing a lot of mental unpacking while physically packing, which has led to many tears and just as much laughter. It’s a strange, beautiful thing sharing your life with someone who fits so perfectly. Even when emotions run high, the support we have in each other feels like a kind of magic. I’ll say it a million times: I’m so goddamn lucky.

The past two weeks have also been intense and eye-opening as we’ve turned our focus to Gaza. I’ve been learning a lot about Palestinian artists and journalists work that offers a small window into the lives and resilience of people shaped by unimaginable horror. It’s harrowing to witness, but all the more reason not to look away.

Things are moving. We’re still in a bit of a “limbo” state, but between all the projects, passions, and the looming move, everything is starting to feel much more real. We’re also learning what people actually respond to on social media (turns out y’all have the attention span of a flea—who knew?).

Trying to “build a brand” is a strange and slightly yucky feeling, especially since neither of us has any real interest in being a brand. What we do have—what we always have—is writing. That’s what we can offer the world, whether it’s enraging or beautiful. So even when it feels like it’s not enough, we’ll keep using our voices. Because it’s what we do.

Until next time

xR

Yup, another week, another round of ‘getting there’. I am feeling mostly over it all. It’s raining today. The kind of rain that you want to stab with your fingernails and hug at the same time. I don’t know how to explain that any more than that.

Everything feels like a lot. It isn’t. In the grand scheme of life. In comparison to others and their lives. But for me. For us. Navigating bureaucracy and trying to figure out the logistics is a special kind of challenge. River is better at it than me. Marginally. I just look at forms and they haze over into an eye test I can’t see.

I am still excited. Just bored of the waiting, I suppose. The mundane bullshit of the Western world feels overwhelming and simultaneously inconsequential.

On Friday I ordered a Jumper laptop from Amazon. Yes, I know. But morals v money. What are you going to do? So it came. It didn’t work.

It arrived. It didn’t work.
We were going to pack up the desktop, get ready. It didn’t work.

So I returned it.
I didn’t want my money back, I just wanted the damn thing replaced.

But no. That’s too ambitious for the labyrinthine scam we call corporate America.
You know the rules:
I pay, you give me a product. That’s capitalism, right?

Apparently not.
Instead: I pay, you send me a faulty product, then make me wait at least two weeks to maybe get my money back, during which time I cannot afford the replacement because… you still have my money.

Make it make sense.

Nope?

Still nothing?

And then. Just for shits and giggles, we are working with a pet transportation company.

So apparently their rabies vaccine needs a booster because it will be a week out of date.

Except every rule we’ve looked at says they don’t need rabies vaccine if they have been in the UK for more than six months (they have).

Advertim.

“Because they already have it. They have to have the booster.”

What?

So confused.

Worried about money and knowing that people are just making shit up is very frustrating. Are they going to pay for it? Nope. Of course not. Damn, I hate paperwork and pen pushers and rules that apply and don’t. When they feel like it. If they feel like it.

Anyway.

Hope you’re having a great week.

—Celia


SALT

in the wound

An Anthology of Justice, Equality, and Resistance

We are seeking work that burns.

Salt in the Wound is a forthcoming anthology of poetry, prose, nonfiction, and hybrid forms on the themes of justice, equality, and resistance. This collection is for the words that won’t stay quiet. The truths that refuse to scab over. The ones that bleed, bite, and insist on being heard.

If you’ve been told your voice is too political, too angry, too queer, too much—good. Send it.

▼ What to Submit:

  • Poetry (any form)
  • Nonfiction (memoir, essay, reflection, critique)
  • Short Prose (flash fiction, lyrical narrative)
  • Hybrid (fragmented, found, uncategorisable)
  • Up to 3 pieces total
  • Poetry: up to 3 pages each
  • Prose: up to 2,500 words each

▼ How to Submit:

  • Attach your work as a .doc, .docx, or .pdf
  • Email to: riverandceliainunderland@gmail.com
  • Use subject line: Salt in the Wound Submission
  • Deadline: 16th June 2025
  • No bios. No cover letters. Just your words.

▼ Equity in Action:

$1 from every copy sold will go to the Black Trans Coalition.

Because justice should be more than a metaphor.

Spread this call far and wide. Share with the loud. The silenced. The grieving. The furious.

LET’S MAKE SOMETHING UNIGNORABLE.

Underland Updates
✒️ 🎤 👑 📜 🐔 🏰 😼 🤖

If this resonated, share it on Bluesky (or anywhere folks still have an attention span longer than a moth after a sleepless night), leave us a comment, or check out our latest anthologies

Poetry Collection, ‘Is this all we get?’

Prose Collection, ‘ Fifth Avenue Pizza’

Underland Updates
✒️ 🎤 👑 📜 🐔 🏰 😼 🤖
Face in the dark
AI face

The Underland Review

We are seeking:

  • Poetry that twitches
  • Microfiction that self-destructs
  • Essays with fangs
  • Visual art that shouldn’t exist
  • Redacted files, haunted code, cursed diagrams, scanned receipts from imaginary revolutions

We do not care about your CV.
We do not require polished bios.
Previously published works? Sure.
We do not pay (yet — sorry, capitalism).
But we do offer love, weirdness, and a spotlight.


✴ Featured contributors will receive:

  • A digital copy of the zine
  • Features on our site and socials
  • An invite to our glitch-lit open mic (date tba)
  • The deep satisfaction of being canon in a lie


Deadline: August 10th, 2025
Format: PDF or Word for text. JPG/PNG for art. Max 1 piece per person.
Email: riverandceliainunderland@gmail.com
Subject line: This submission is a lie – [Your Name]

We don’t tolerate bigotry, AI slush, or boring work.


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