Art Under Siege: Anas Baba

Still reporting. Still breathing. Still here.

In Gaza, journalism isn’t a job.
It’s a risk. A target. A heartbeat.
To tell the truth is to gamble your life against the odds.

And Anas Baba is still doing it.

A Palestinian journalist and NPR’s producer on the ground in Gaza, Baba is one of the few remaining correspondents for a major Western outlet still in the Strip. Not covering from afar. Not watching from a neighboring country. There. With his people. Living what he reports.

Born in Rafah, he grew up under siege and under curfew, the son of a photojournalist. His earliest memories are shaped by checkpoints and shutter clicks. At 10, he began accompanying his father in the field, carrying cameras and learning how to work with subjects, find camera angles, and stay safe. At 18, he started working with international outlets—AFP, The Guardian—and never stopped. He earned bachelor’s degrees in journalism and English literature from Al-Azhar University in Gaza City. He became a full-time producer for NPR in 2024, bringing a vital, local voice to a network that, like most U.S. media, has historically viewed Palestine through imported lenses.

But Anas didn’t import anything.

He brought presence. He brought nuance. He brought truth.

Since October 2023, more than 220 journalists have been killed in Gaza. Most of them Palestinian. Most of them freelance. Most of them undocumented in the headlines of the very institutions they worked for. Anas Baba is not only surviving that list—he’s defying it.

“Every day, every hour, every moment, I feel the responsibility to share what’s happening. Because if I don’t, maybe no one will.”

Through NPR, he has reported on families crushed under rubble, on children surviving without parents, on weddings that turned into funerals. But he’s also reported on the living: the people hanging up art in refugee tents. The kids playing football on top of collapsed buildings. The woman who refused to leave her cat behind. The humanness of Gaza that refuses to be reduced.

In January 2024, Baba’s reporting helped NPR win a duPont-Columbia Award, one of journalism’s highest honors. He shared the stage remotely—he couldn’t leave Gaza. Still can’t. Instead, he sent his voice.

And that voice is urgent, poetic, and clear.

He doesn’t just describe explosions—he describes absence. Not just death, but after. The echo in a room no longer full. The shoes left by the door. The names still saved in contacts. He’s a journalist, yes, but he’s also a documentarian of loss. A steward of presence. A keeper of names.

And he’s still reporting. Still breathing. Still here.
Bearing witness for those who can no longer speak.
And for those who were never given the chance.

Underland Updates
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Face in the dark
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The Underland Review

We are seeking:

  • Poetry that twitches
  • Microfiction that self-destructs
  • Essays with fangs
  • Visual art that shouldn’t exist
  • Redacted files, haunted code, cursed diagrams, scanned receipts from imaginary revolutions

We do not care about your CV.
We do not require polished bios.
Previously published works? Sure.
We do not pay (yet — sorry, capitalism).
But we do offer love, weirdness, and a spotlight.


✴ Featured contributors will receive:

  • A digital copy of the zine
  • Features on our site and socials
  • An invite to our glitch-lit open mic (date tba)
  • The deep satisfaction of being canon in a lie


Deadline: May 10th, 2025
Format: PDF or Word for text. JPG/PNG for art. Max 1 piece per person.
Email: riverandceliainunderland@gmail.com
Subject line: This submission is a lie – [Your Name]

We don’t tolerate bigotry, AI slush, or boring work.

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